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1Q84 book 3, Haruki Murakami


After reading books 1 and 2 of this trilogy not expect much from the final delivery of the work. Perhaps it was this total lack of expectations that has made me enjoy both mature Murakami, ironic and profound humanity which is revealed in this book. The first two sinned to me like a generic formalism excess fit the author in a scheme too strict and that spoiled his best talents, resulting in a novel formula that did not quite make the cut and convincing. But for this third book Murakami seems to have broken away from all these scruples formal arguments. The action is limited to the last 50 pages in the 400 first basically nothing happens other than the alternative narrative of the experiences of three people locked in their own circumstances of uprooting and united by a loneliness so fundamental that goes far beyond a simple lack of companionship.
Anyone familiar with the theories of Ernst Jung can apparently identify the philosophical pattern which is based Murakami to create his parallel world and the strange connections between the characters. Those who instead suffer from a profound ignorance in most intellectual areas, such as myself, however we recognize some emotions, aspirations, dreams, hopes and frustrations that are human and universal and require no explanation in footnote page.
This is in addition to a great book and different, whose only downside is that you have read the previous two in order to access it. But I dare say almost worth the effort.

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Sh * t My Dad Says, Justin Halpern


Very poorly translated into English as The bullshit my father, this book comes from a Twitter page where Justin Halpern was publishing the most memorable phrases he heard that his eccentric father daily . I can not imagine a worse source for a book and started reading it with no expectation (good growth, expectations were, but all bad). Of so that I myself was first surprised to find a book unpretentious, funny and endearing, about a father and son not very conventional. A relationship that has nothing to do with those that appear in Disney films or books on how to educate your children, but that is what Justin Halpern and his father have it, and they work fine. The author does not attempt to beautify and ennoble the reality of his father, which makes it needless. With candor and spontaneity not prohibit him from using his undoubted talent as a writer, Halpern AC jr brief quotations in his book from his father about all sorts of everyday situations with more extensive accounts of stories of their life together. The result is a tribute from son to a father who had to play its role without other instruction manual that love and personal convictions, and has succeeded in being true to himself throughout his life. Find a book feared afterpunk postmodern, and has proved a very personal and human work that does not appear this time.

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The Impatient Alchemist, Lorenzo Silva


in 1995 by chance and I bought a book called curiosity November without violets, the first work of one Lorenzo Silva published by an obscure publishing house called "Editions libertarian." And I loved the book. As were the days without internet, had to spend more than fifteen years before I found out from exile this heresy that a Lorenzo Silva was becoming world famous in our country with a series of novels about a couple of Civil Guards. And yet it took another ten years for that series of novels finally fell into my hands, thanks to the wonderful idea that has had the authority to offer on pack for the electronic book reader for the price of laughter.

The second novel in the series, The Impatient Alchemist, was awarded the Nadal Prize in 2000 and is a delightful book that is read in one sitting, leaving a great taste. The detective plot is less than the height of the entanglements Scandinavian we are used today, but the author knows compensate with characters that, while some archetypal sin (can not get too deep into the psychology of a cast so wide in less than 300 pages), although these are drawn with brushstrokes very accurate and also produce some dialogues which are among the best ever written in our literature. Another important difference is that the current thrillers Lorenzo Silva proves to be an incurable optimist in regard to human nature: for his novel parading a series of wicked and unscrupulous characters, but also appear while a few men and women upright, principled, not necessarily nice but with a conscience and a strong sense of justice. And the best part is that these characters are entirely credible and capable of convincing even for a moment that all is not lost. Not every day has a body to postmodern skepticism.

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Debt

Pay them or ignore them but not suffer.

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Ah, Sweet Mystery of Life: The Country Stories of Roald Dahl


This book collects seven stories that Roald Dahl was published separately between 1940 and 1950, but once assembled form a surprising amount of thematic unity, plot and style. I read a review which describe these stories as "chilling ghost story without ghosts, and I think the description perfect sense of unease that remains in the reader after reading some stories seem so innocent and quaint.

The mysteries and eccentricities of rural life that exemplify these stories are presented to us by the hand of a first-person narrator, who acts as an outside observer and target (although it occasionally gets involved in the action) of behavior, customs and reasoning of his friends and neighbors of the English people who have gone to live, and the relentless logic of common sense applied by these people for his most barbaric, amazing, disgusting or simply unimaginable. The irony is so subtle as it is black humor, and an inattentive reader could to think that the author simply to chronicle any manners of a people and its people. But it is clear that Roald Dahl has only what you have, that their choice of characters, situations and outcomes has been very meditate for a composicón result might have been inspired by a painting by Brueghel: a collection of rural scenes of apparent normal until the viewer begins to notice the details.


A book very apt to be read by all unrepentant urbanite who are convinced that Hell is other people in the countryside. These stories will give you enough material to satisfy himself that they were right.

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Conversation in the Cathedral, Mario Vargas Llosa


In the preface to the novel, Vargas Llosa writes:

ruled between 1948 and 1956 Peru, a military dictatorship headed by General Manuel Apolinario Odría. In those eight years, bottled in a society in which political parties were banned and the civic, the censored press, there were many hundreds of political prisoners and exiles, Peruvians of my generation went from children to young people and youth men. Even worse than the crimes and abuses that the regime was committed with impunity the deep corruption that from the center of power radiated to all sectors and institutions, debasing a lifetime.

This climate of cynicism, apathy, resignation and moral decay of ochenio Peru, was the raw material of this novel, which recreates, with the freedoms we are privileged to fiction, political and social history of those dark years. Can

corruption that emerges from a totalitarian regime vilify the privacy of individuals? Is the moral rot in power will extend to family relationships, personal, love of ordinary people? It's hard to tell, and Conversation in the Cathedral is far from a novel thesis. A once raised his intention in the brief preface, the author is removed and gave the floor to its characters without there being any narrator between them and the reader. Dialogues, memories, inner and outer monologues are writing the story with a misleading objectivity and apparent anarchy of situations, times and characters (as in a nutshell the author is who chooses what is going to show and especially when). Chaotic structure has been carefully planned to give the impression of veracity, the direct testimony of a turbulent period by a group of people from different social classes united by their common and petty lives, their problems seldom reach tragedies and joys cheap and useless. Money will not buy the greatness vital one, nor poverty will ennoble those affected.

What so special about these characters that keep the reader glued to the book for more than seven hundred pages fictional account of this billet? Not just what is so special: his deep humanity, their reality as human beings and human beings feel, suffer and dream, each in its own way and each in its own measure, regardless if they live in the suburbs or in the slums. Vargas Llosa manages to give dignity to the worst of the corrupt politicians, and also shows the indolence and cowardice of dreams the young hero who wants to rise above the indignities of reality. There are no good or bad in this novel, for all are regular but each in his way, and this gives it a universal and eternal dimension to local history in the extreme. A book made to recover the joy of reading, because if some authors are able to write books like this, you have to read them.

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reluctance Closed


Temporarily closed for lack of inspiration, existential questions and a yearning for freedom overdose.
Not to mention so unpresentable books I've been reading lately.

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Third Reich, Roberto Bolaño


I do not like plundering editorial to that seen under the creative legacy of a successful author after her death, leading to the publication for use and enjoyment for fans of every word written by this author leave regardless of the value or relevance of these texts. I read so Third Reich miracle and almost without trying. The funny thing is how much I liked it, I dare say that is one of the best books I've read Bolaño, and now they're few.

Another curious fact about this book is so classic structure that has, is a novel that tells a linear story with his approach, his knot and its aftermath. And the truth is that it does really well. The story of a German couple Holiday in the Costa Brava and the incidents that living with other tourists and local people could have lead to stereotyping, prejudices, preconceived ideas and tourism notes of local color. None of that is in the book, fortunately, Udo, the young German lover and expert wargames in the game "The Third Reich" the narrator is ignorant and clueless that as the novel progresses have increasing problems to find out what occurs and even to distinguish between fantasy and reality. In this way the story is gaining in amazement without actually ever separated from the routine of a coastal village at the end of the holiday season, and the environment will win precisely accuracy thanks to the protagonist's estrangement with his environment.

The Third Reich is a complete novel, though there is much to say but consciously, and with a perfectly finished off. With the bombing of Bolaño's posthumous texts are creating an image of this neglected author as a writer and chaotic, whose works give the impression of being left half done. But Third Reich is a novel that has stood by itself, and it is also understandable and easy (even enjoyable) to read without losing one iota of quality. The truth is I do not understand why not published during his lifetime. Or wanted to publish.

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The beautiful and sad, Yasunari Kawabata


This was the first Japanese book I read apart from the works of Murakami, my first Japanese "classic" so to speak. I've always had some misgivings about these works often receive qualifying Oriental as slow, stylized, elegant, all adjectives that have little to do with my personality. So it was a relief to find myself in this book with a story that can certainly be described as stylish and elegant, but I've had a slow.

The story of a stereotypical situation: Painter Otoko at sixteen had a relationship with Oki, a married writer and quite older. After years of separation he will look to Kyoto, where the painter lives with his student Keiko, and when Keiko Oki go home to take a few pictures Taichiro know your child. Fumiko, the wife of Oki complete this five-sided love triangle in which the characters hear the church bells, rocky overlook gardens or take tea served by geishas in kimonos while playing a tug of war for power, attraction and eroticism within the highest standards of styling and elegance.

Without any psychological explanation, with all the aesthetics of the cruelty of the Japanese who are able, the action is being woven into an ending that seems as inevitable is more blame. These kimono artists who call themselves weak and subject to the impulses of the heart, freed from the yoke appear more masculine than their London colleagues at the time that Doris Lessing portrayed in another great novel in the 60's, The Golden Notebook . But we know that comparisons are odious.

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Summer Dinner


In Summer biographer tells how a recently deceased author is looking for several people who knew him for interviews and from his testimony to reconstruct the book in which the author was working before die, the third of his autobiography novel as it concerns his life in the 70's in South Africa. The plot thickens when we know that this author who has just died in Australia was John Coetzee, and the book he was working on would be the continuation of his earlier works Children and Youth , ie the book at hand. This time the author appeared to us not enough to make a third-person fictional account of his life as he did in the two previous books, this time also had to fake his own death and let others (and some notes from his journals) speak for him. This

portray alien life through testimony given to the novel a variety added because the respondents are not limited to talk about the dead author, but primarily and above all they talk about themselves and the time when they met John Coetzee. But to what extent can we give credence to such testimony? Respondents in the best have the facts from their perspective, many choose not to discuss certain issues and in some cases even suspect that we are telling a distorted version of history. All autobiography is a work of fiction about the life of one, it is said somewhere in this novel, and this applies both to the testimonies of people who knew the writer and the extracts from the diary that writer maintained. Journalistic tone and realistic not only underscores how little we really know about others and about ourselves.

Summer is one of the best books I've read. A book with a very complicated planning and construction, which causes dizziness who tries to imagine all the different layers of reality that is contained therein. And at the same time, and this is my essence, a book of simple and clear invoice, which can be read in one sitting and is accessible to any reader. A book that proves that one need not be boring or unintelligible writing novels groundbreaking, deep, committed and innovative. If not I had already given the Nobel to the author, it should only be given by this book. And give not reach the Booker Prize for the third time is simply a disgrace.

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JM Coetzee, Herman Koch Chronic


This book, just published in Spain a few years after being swept in the Netherlands (where the author is best known as television personality) I have left a bad taste in the mouth and lower body still . The issues raised are not easy, despite the deceptive lightness of tone in the beginning, and the structure is designed to be providing a shock after another the unwary reader, hence the argument count for nothing because the surprise factor is fundamental to reading. But I'm not bothered by the lack of sensitivity of the author nor his hardness in presenting uncomfortable issues, which has left me rather worse has been the dehumanization that follows the set, the spoiled selfish beings for whom their own happiness comes Above all things, and certainly beyond his peers.

A novel theme so hard and structure based on sleight of data to the reader (in fact it is told in first person by a narrator as subjective and unreliable) would require an author with a very precise work plan and perfect mastery of the subject novel. And here is where the whole network fails, Herman Koch's novel is gets out of hand midway and has to stop resolving the situation as best they can, which to my taste is not too well. It is a brave book by an author who dares dared to say uncomfortable truths that many prefer to keep quiet, but unfortunately the message is lost in the tangle of argument where you just wrecked the story. A pity.

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Dawn is no errant blade bit

closed the door of the room so many times he had entered his first night at this hotel, family loneliness, silence full of questions that he refused to answer. He lay on the bed and wrapped himself in one of the many sheets of those who never felt the touch. He tried to remember a past more comfortable and fall asleep but it was impossible. Jumped out of bed full of energy and realized that I had nothing to do. Five in the morning, returning at night was not an option. He returned to bed, helpless, exhausted, thinking the sun will rise tomorrow.
The sun came out and I miss the night where everything seems unreal and there is always the hope that daylight.

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city, Jonathan Lethem


I started to read me this book without having the slightest idea who he was Jonathan Lethem, or what was this novel. I put the book totally blind and I think the best way to do it, that holds many surprises that will be revealed to the reader with the same subtlety and lack of cash as they appear in the work itself. It is fascinating how a book with an argument so vague and elusive as it may have as strong a narrative structure, with a beginning, middle and end perfectly defined.

The characters are scrumptious, there really is no "bad" or "good" throughout the book, each one does what he must do as the role it has played in history, and it plays more degrees of success according to their qualities and personal circumstances. Perkus is the image of what was the city of New York in its golden age back in the seventies, yet the sad reminder of his decline. While other characters such as Richard, Oona and Chase have been able of converting to the new situation, not to end up like Perkus converted into a kind of polar bear on an ice sheet in the ocean.

There is no room for authenticity in this city reduced to a minimum by the iron hand of a charismatic mayor and external attacks that no one speaks. Manhattan dwellers prefer to live a life free of war "as the paper they read, but is equally false that life simulation games that play parallel computer. In this world it is difficult to know what is truth and what is a lie, resulting in an entertaining and compelling read that makes one think long and hard.

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The truth of the lies, Mario Vargas Llosa


Collection of Articles by Vargas Llosa that allegedly discussed their favorite novels of the twentieth century, but which in reality is these works through the filter of his own views on literature and shipped at home against all who do not share ideas, which are many and varied.

There are several articles in this book quite biased content. The one dedicated to The Golden Notebook by Doris Lessing, for example, which shows how little he likes women writers and reluctantly having to acknowledge the many merits of both formal and content of this novel. Or the article on The End of the Affair by Graham Greene which concludes:

When you sit down to write [Graham Greene] lost that impetus, that vocation at risk who took a teenager to play Russian roulette, and became an efficient Scriptwriter, shy and functional, which rightly felt satisfied telling a story that did spend a happy and distracted while all classes of readers. Since then he got what he proposed as a writer, but what was proposed was always low and below his talent.

This final paragraph is based solely on their own personal prejudices Vargas Llosa, in his image too exclusive and exclusionary than it has to be the "good" literature. In The End of the Affair, Graham Greene wrote a great story, charming and memorable about the daily lives of poor people in ordinary situations and even a little silly, using concepts as unattractive as religious beliefs, miracles and faith. Say about a book so lacking in ambition is a sign of blindness or a stunning monumental bad faith.

But where Mr. Mario gives the master stroke in this volume is in his article on The Kingdom of This World by Alejo Carpentier, not coincidentally the only novel written in English that says. The absence of One Hundred Years of Solitude in this selection and is unforgivable, but apparently it was also necessary to a frontal attack on magical realism as a hallmark of Latin American narrative of the second half of the twentieth century. And it does so cryptic, writing a long article in praise of the narrative technique of Carpentier in The Kingdom of this world, work that shows the culture clash that occurred with the intent of the French colonists introduced the ideas of the Enlightenment the magical and superstitious Haitians. And after filling pages with examples of good creative way the author, in the last paragraph Vargas Llosa gives the stab of betrayal and without notice, throwing down a few lines all literary theory on which it based its work Alejo Carpentier:

In the prologue he wrote for this novel, Carpentier hoisted the banner of "magical realism" as an objective feature of American life, and mocked the European Surrealists, for whom, he said, the "wonderful" "never was but a literary trick. " The theory is nice, but false, as evidenced by his wonderful novel, where the world so seductive, magical, or mythical, or wonderful, is not an objective description of Haitian history, but the consummate wisdom of the literary tricks Cuban novelist used when writing novels.

In any case, if we abstract from the (dis) qualifications Vargas Llosa gives the works read, we find an overview of twentieth century fiction that the author presents from a deep and genuine love for literature and with an enthusiasm that is truly contagious. In short, a good book of literary criticism of a bad writer exceptional.

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A book that could be called the dance of eggplant, Oscar Santos


This book is a real gift: the format and colors are beautiful, like the illustrations inside (yes, a graphic novel, as before). And when you start reading it turns out to be a reading as fun as endearing. But what a great pity that the impression given by the principle can not be maintained until the last page.

is a light and enjoyable read written in a conversational style and straightforward. A story told that written in first person by a teenager who uses his protagonist everyday language to tell the three days of celebrations of the town in which he finally managed to be nothing less than a man. The problem is that all this light is not sufficient to sustain an entire book, the bittersweet substantial principle be becoming more and more syrupy as the narrative progresses and both the story and the characters are missing body in order to achieve full work, just staying in the anecdotal account of some events.

Nevertheless, a very pleasant book to read, entertaining and well written, and by its binding and their careful typeface legible nice and make it a perfect gift for anyone. For me it has been without a doubt.

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Payan 1969, Jerome Tristant


With this work of black and detective intrigue the author has written a very personal: the action is set in the city of Murcia and in the year of his birth, and even book a small cameo for his parents, who dedicated the novel. Perhaps that's why 1969 is not the first part of a series but a complete story with a beginning and an end, in addition to Jerome Tristant already has a police officer Victor Ros nineteenth starring his own series, and certainly not the poor July Alsina protagonist was a detective for more than one book.

The plot suffers from the same defect that The mystery of the house Aranda, the resolution of the plot is not the height of his approach and the author is forced to loop the loop to the end that was not out of hand the whole shebang of argument that has been composed with great skill and a great sense of narrative rhythm. This makes some storylines are resolved in a somewhat unlikely and that a number of questions remain without a satisfactory answer, but the truth is getting out of the predicament with dignity.

is in short a well-written book by an author who knows how to use with skill and accuracy records of the genre. 1969 is distinguished by its wonderful atmosphere of Spain in the last years of Franco in a provincial town, and human characters, complex and believable. A perfect book to read and then give to someone who walks in need of light reading with foundation and does not mind receiving a copy of resale. Mine is on its way to its destination.

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- is for you.
- What? I do not want.
- Why?
- I do not need.
- No? Why do you think that.
- I have not done anything to anyone.
- Sure, I've done them all.
- I do not understand
- It's simple, what you would consider a personal achievement, they see it as a mirror reflecting his mediocrity and lack of courage to take the leap and will not remain indifferent. What do you expect? What applaud your success, beaming down? Never happen, shall endeavor to bring you down and prove you're a moron and a loser, never admit that you do because it would recognize that they do not do so without risking.
- It is no exaggeration
- Yes? What brought you here?
- Try to be free, to change things in society.
- Oh what do you think those who created this society, "only your enemies, not your relatives, your friends your love, all part of that what you're hiding. Remember that phrase have your friends close and your enemies closer?
- If
- is a hoax, you want to survive keep away from your enemies and your friends almost as far.
- And then that makes sense of all this?
- Your ideas, your works, you are able to do, people are not so important, friendship die, love dies, people die, the ideas remain, the heroes remain.
- I do not want to be a hero
"Well, you chose the wrong path, you chose to fight for them no matter what they do, you chose humanity over yourself. You wanted to be a hero? have stayed on your site, without complicating enjoying the small pleasures and deaf to the voices that torment you because he's a hero but one who does not do things for himself but for others.
- Sometimes I think I should do
- But you could not, could not you be one more, did you know they will never make you happy, you knew that you would frustrate and hurt those around you, you knew that you had to be a hero.
- How about you?
- like me.
- And this is to be a hero? How do battle after battle without changing anything and just end up old, lonely, paranoid and bitter?
- In large part, yes, there is always a point of bitterness in waging a war in which you know you will die long before you approach your side to victory if it ever arrives. Paranoid, it is impossible not to be paranoid in a war in which anyone can be an enemy. Only, how will not be only that which serves an idea that only a few are able to understand and even those to be sacrificed if necessary for this to succeed, if you must give concessions own relationships. Old, well that happens do you do if you're lucky. But those battles than just talking to change anything, these are everything. The feeling of fullness is reached in the smallest winning them is not comparable to anything, make you feel an omnipotent god, at least until you undertake the following. Ah! and the sense of leading others beyond themselves, to see them improve, grow and think for a second that change is possible, that's all give you the peace you seek, that's what really makes you different, that's what will set you free.
- What can not be without it? "He said, pointing to what he offered
- No, not without it not only with it. You can not create something solid and lasting only with fear, violence, lies and mindless slaves, that's what they do and look at what things have come. Education is needed to overcome the fear that information to set their lies and freedom, in a way that not many are willing to endure a full freedom of duties, not rights or beggars yo-yo-yo, a generous deeper meaning and human, born of intellectual conviction. It's turning a la masa en ciudadanos, en miembros útiles, según su capacidad, de la sociedad

- Vaya, eso suena algo mejor.

- Quizá, pero falta una parte, una en la que si es necesario esto-Dijo mostrándoselo de nuevo-.Cuando todo esto tan bonito empiece ¿Qué supones que harán ellos, quedarse de brazos cruzados? Irán a por ti y los que estén contigo con todo lo que tienen y si pueden quitaros del medio en cualquiera de los sentidos lo harán y mas vale que estés preparado cuando vengan, porque vendrán, a defender sus privilegios o simplemente su comodidad, los cambios nunca se acepten con facilidad y mucho menos por todos. Tendrás que defender tu causa y estando dispuesto a sacrificar your life for it You're not willing to sacrifice their own? Even if you were to succeed know that you oppose, will want to recover what they consider their own and not everyone can convince them, not everyone is going to change and accept a new order, senile stubbornness, by simple faith irrational or evil fight to recover what they gave an advantage without having to make merit.

noted the city lights in the dark carefully turned, picked up the blade sheathed in the hand of his partner, grabbed his belt and walked

"Come.

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Talk of locusts, David Foster Wallace


locust Let includes opinion articles, extensive book reviews and reports that David Foster Wallace wrote for publications as diverse as the articles themselves between 1995 and 2005 approximately. DFW was a writer and university professor, so his journalistic work may have the whiff of professional intrusion by a successful writer hired by publications who want prestigious firms within its pages. But its articles are well built and are highly entertaining and informative, although the author's mania spread in all kinds of explanations in footnotes to the page (and in notes to these notes) can be irritating to readers designed to easily lose the thread narrative. The author argues that because sometimes the editor will remove all the digressions his article, sees no reason to be limiting. And indeed it does.

DFW is one of those authors with very specific opinions on topics dealing with articles, from the porn industry in the U.S. to consumption of locusts from the literature of John Updike, Kafka and Dostoevsky, or the misuse of language. But does not claim that his personal authority is the sole provider of such views, is concerned to substantiate their claims with data, quotes from authorities on the subject and very colorful examples. And do not forget his best weapon, a perfect and absolute mastery of language, combined with an exceptional narrative talent and humor that makes their texts accessible to everyone. Read articles someone who knows what he says and that she also knows how to speak to all audiences has become an increasingly unexpected pleasure, and this book offers some truly unforgettable pages. David Foster Wallace is a writer who deserves to be read, and this seems like a good book to start with at least one who is able to disregard the horrid cover.

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Experience, Martin Amis

Michimo
critic Kakutani wrote in his review in The New York Times :

Martin Amis has proven to be a writer of a huge array of literary talent: a dazzling mastery and camaleonesco language, a willingness to tackle major problems and even greater social canvas and relentless eye for unhealthy excitement of contemporary life. The only thing missing in his work, readers might have argued, it was emotional honesty, too often his writing has used a cold detachment and sardonic postmodern pyrotechnics instead of a sincere feeling.

This sincere feeling towards his father to his children, to women who loved and was abandoned (or not), to his friends and enemies, is what makes experience I liked much more than fiction I Read Martin Amis. Although the author is concerned about maintaining the type and composure, to write these pages has abandoned the pose of the coolest writer of both banks of the Thames, and his style makes a lot with that. Martin Amis says

had to wait for his father's death to write this book. Does not say, but it is clear from all that's telling, is how difficult it was to be measured for him all his life with a parent academic and writer Kingsley Amis height, a parent who also never denied pouring severe criticism on the novels of his son. Martin, however, does not hide his admiration for his father's work, which extensively quoted throughout the book, and it is possible that being able to admire as an author Kingsley will help to reconcile with the difficult person who had a father.

But out of all the anecdotal, voyeuristic and morbid offering this reading (much), the big surprise for me was to test how good a literary critic who is Amis. A writer speak good, bad or regulate their fellow workers is almost required in any autobiography. But Martin Amis knows what he's talking when he praises Nabokob, Joyce or Bellow, or criticizes with great subtlety and a huge load of poison to John Updike: da good valid arguments, and knows how to express and illustrate their arguments exemplary manner. Amis is a good writer (although I'm not so sure about that) but would have been a great literary scholar if his talent had been allowed to follow an academic career.

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Against wind North, Daniel Glattauer


This novel is extremely entertaining, but asks a lot of the credibility of the reader, the chance is an important engine of the plot, human kindness is too. Leo and Emmi known by chance because of an incorrect email and keep writing then is almost normal and even as new as one might think (epistolary friendship and love existed in all ages). Both are so strongly opposed to a personal encounter or even a photo sharing is more difficult to believe, but falls within the possible. What is already difficult to accept is the limitless goodness of the characters. Jealousy is a sign of love and never become unhealthy or violent toward understanding the other's weaknesses and anger verging on the improbable, and no action of the characters becomes petty, inappropriate, brutal, intemperate. Cyber \u200b\u200blove Emmi and Leo in Against the north wind is Platonism never seen since the days of courtly love.

With this novel reaches its conclusion, it is not just because the story continues in Every seven waves. But this is another novel, less fun and more bitter than its predecessor but where the characters reveal more imperfect, human and fallible and so much more credible. I recommend reading both books flip or not to read any of them, because the first novel without the latter has little reason to exist except as a fairy tale for adults cyber century.